The Applicant

A Kathmandu-based Literary Journal

Coca-Cola

May 15th, 2012

Sophia Fan 

The way it bubbles up

It fits perfectly in my cup
The ice is a compliment
To the best of refreshments
Coca-Cola I love you
Those who don’t there are only a few
You love to fizzle and pop
And send your bubbles over the top
You satisfy and provide
And I keep you by my side
Whether I’m eating rice or even a burger
Your dark and enamel color
Are better than the those of pretty flowers
Coca-cola I love you
And with that I say, adieu

Sophia Fan is a high school senior from Cerritos High School in California. She’s turning nineteen this winter. You can contact her at: tjsophiafan@yahoo.com

Night

May 14th, 2012

 Tong Li

The blank faceless sky,

The quiet atmosphere,

The sound of crickets,

The lighting up of the houses.

All signals the end of the day.

The emptiness of the hallway,

The dimly lit lamp,

The sound of silence, and

The cozy comfortable bed.

Signals the end of my day.

I took one last look on the ceiling

I closed my eyes and my mind wandered as

I drift to the sky.

My mind could finally rest.

Good night.

Tong Li is current attending high school in Cerritos, US and his favorite subjects in school are biology, chemistry, and mathematics. He has also participated at the school’s Model United Nations program for the past four-year.

You contact him:  terrence__lee@hotmail.com

Lines of a deserted child

May 9th, 2012

 

Brabim Karki

Baba! Why you left me in these streets?
It’s so lonely, dark and wild,
Come and take me away
I am not your fugitive child

Many pass by but no one cares for me
I wish you were around to make them wee
Days are hot but nights are very cold
Nothing to wear except a rug; that is torn

I am tired of this life, and broken from the root
They  call me khaate and police hit me with boot
Come and please take me from here
I promise not to disturb your other child there!

 

Baba: Father

Khaate: a stereotypical word used for street children

 

The Forming of Imagination

May 8th, 2012

 

So I stab

and carve
my thoughts
to form ideas
for them to enjoy
and slave over
this miserable table
but why?
everything is still unread
and unpaid

 

Richard Shiers Jr. is a writer and poet from Atascadero, California. He has written one collection of poetry, thirty short stories, and two novels. Out of his prolific body of works (for his young age at least) only a few poems and stories have been published. Most of his writing focuses on women, their extravagance, and the sheer amazement they provide him!

Impgardens@yahoo.com

The West Lake, Huizhou

May 2nd, 2012

Miodrag Kojadinovic is a Canadian-Serbian dual national, poet, prose writer, journalist, translator, interpreter, and photographer. He has postgraduate degrees from Serbia, Holland, and Hungary, and has done research in Norway and taught at universities/colleges in Mainland China, Serbia, and Macau. Over 200 pieces of his writing have ben published in English, Serbian, Dutch, Russian, Hungarian, Slovene, and Chinese in Canada, Serbia, the US, France, Russia, China, England, Holland, Slovenia, India, Croatia, Australia, and Montenegro. He has also appeared in three documentaries (of which one was about himself as a globetrotter seeking a place under the Sun).

 http://en.wikipedia.org/wiki/Miodrag_Kojadinovi%C4%87

An Unusual Case

May 2nd, 2012

 Bruce Dodson

Short Story  – Detective [Noir]

I left San Francisco after getting busted — a long story from another time, another place, another world, and better off forgotten. I drove north far as I could and landed here in Kissmiass, Alaska.  Colder than a bitch’s tit and urine freezes ‘fore it hits the snow. Inhabitants  get cabin fever . . . worse.   I lubricate my sanity with gin, which seems to work but is expensive. My small office is one flight above the Falling Moose Saloon. The rent’s not much. It’s just four walls and a cracked window that looks out onto an air shaft. There’s a dying fichus plant . . . a desk, two wooden chairs.

            I’m slightly drunk but see her shadow silhouetted on the frosted glass that states my name and occupation on the office door:

Ace Brannon

Private Eye.

            She doesn’t bother knocking, just walks in. A tall blond, maybe thirty something with a rack that’s big enough to make a man think twice, and two green eyes the size of bottle caps. A third eye glows a dull red from the center of her forehead . . . bloodshot maybe.

            I try not to stare. It isn’t easy.

            “My name’s Margo. Margo Mank,” she says. “I’ve got a problem.”

            “Yeah? Tell me about it.” I suppress a grin.

            “I’m looking for a guy,” she says.

            “A lot of women have that problem.”

            “Not like mine,” she says. “My man was murdered last September. We’d been married for a year. His name’s Shaw Mank . . . or was. The cops don’t seem to care about the case.”

            “What was his bag?” I ask her.

            “Scientist,” she tells me.

            “Christian?”

            “No, the research kind. Shaw had been working on the sexual reproduction of Norwegian seaweed at a private lab in Munich, Germany. He flew back home to meet me in the States. Shaw told me he’d discovered something that was sure to make us rich, but never got a chance to tell me what it was. He left our place to buy a bottle of Champagne, to celebrate, you know? That was the last I saw until some three weeks later when a wino found his body underneath a pile of smashed-down cardboard boxes in an alley. It was pressed flat, like a rose between the pages of a bible.”

            “You know who the killer was?” I ask.

            “I’ve got a picture of him.”

            Margo pulls a black & white out of a Gucci alligator purse that’s big enough to hide a rabbit in. She lays it on my desk. The dude looks something like a cross between an octopus and wheelchair.

            “He should be an easy guy to find,” I say.

            “He’s faster than he looks.”

            “He got a name?”

            “They call him, Twitchy.”

            “Used to date a broad called, Itchy,” I inform her.

            Margo’s red eye blinks. “Twitchy’s a hit man from Chicago, but I followed him up here, as far as Nome, then lost the trail. There was a snowstorm – big wind from Winnetka – and my dogs ran out of gas.”

            “I see.”

            Her third eye wanders aimlessly around the room, as if in search of something. I wonder what else Margo’s got inside that purse.

            “I don’t come cheap,” I tell her. “Fifty bucks a day and all expenses such as burgers, helicopters, rental cars and cigarettes.” I light one, giving her some time to think about it.

            “How much would that be in euros?” Margo asks.

            “Not sure . . . forty maybe. Money changes. Have to read the Wall Street Journal to keep up. You read much?”

            “Hard to focus . . . can’t see very well,” she says. “I’ve got a lot of Euros.” Margo digs into the purse and comes out with a stack of bills. She deals three crisp new fifties off the top and lays them on my desk. “Is this enough to start?”

            “I don’t like foreign money for three reasons. One: I can’t tell if it’s real or bogus. Two: Hard to exchange, even if real. And three: Same as the first.”

            “I’ve heard that song before,” she says.

            “You must be older than you look.”

            “I’ve had some work done.” Margo’s eyebrows raise . . . all three of them. “But these are real.”

            I can’t help glancing at her tits.

            She tells me, “You can take ‘em to the bank . . . the Euros,” she says with a knowing smirk.

            “I will.” I rake in the notes across my desk and hold one to the lamp without a clue what I should look for.

            “Those are good,” she says. “Shaw brought them back from Germany.”

            “I see.”

            “You’re lucky,” Margo tells me. “So, are we in business?”

            “Sure.” I fold the bills and shove ‘em into my back pocket. “Where would you suggest I start to look for Twitchy?”

            “Here,” she says. “In Kissmiass.”

            “What makes you think he’s here?”

            “I hired a tracker . . . Indian,” she says. “Shot With Two Arrows, was his name.”

            “Where is he now?”

            “He’s dead,” she tells me.

            “Let me guess, shot with two arrows?”

            “Yeah. You must have read about it.”

            “I’m intuitive,” I tell her.

             “Twitchy’s got an evil sense of humor. At the morgue they found a sprig of

seaweed flattened into Shaw’s shirt pocket. He’s a sneaky bastard.”

            “Um . . . Well, like I said, he shouldn’t be too hard to find. I’ll ask around. You got a room here?”

            “At the Eagle’s Nest. Room eighty-six.”

            “I know the place,” I tell her. “I’ll get back to you tomorrow.”

            She gets up to leave, and bumps into the fichus plant on her way out, then turns to face me from the open doorway, “Watch your back,” she says.

*     *     *

            I step outside. A fluttering of snowflakes kiss my face. I’ve got a feeling Twitchy’s close. I sense it in my bones. Like I told Margo, I’m intuitive. Best place to start’s a sleazy bar in walking distance from my office, Dirty Dick’s.

            It’s just a little after six and dark as death outside. It’s almost warm as I step into Dick’s. A wood stove burning coal glows dull red from the far end of a dingy room. Someone has strung a strand of Christmas lights behind the bar. A coal oil lantern hanging from a rafter casts a dingy yellow glow around a wino slumped across a table near the stove.

            Annie Big Beaver’s tending bar . . . native American. We’ve got a couple dozen displaced Indians in Kissmiass.

            “Hi, Ace . . . how goes it?” Annie pours a shot of gin into a smudgy glass as I climb on a stool.

            “Where’s Dick?” I ask her.

            “On the nod again,” she says.

            “I’m looking for a man,” I tell her.

            “Yeah? Me too,” she says. Big Beaver’s five foot-six . . . must weigh a hundred-eighty pounds stark naked. I don’t like to think about her that way. Annie’s close cropped hair and eyes are black as two feet up a chimney.

            “This one’s not your type,” I tell her. “Rides a wheelchair like he’s part of it.” I show the photo Margo left me.

            “He was here,” she says. “He had a couple of drinks with Charlie Hardway.” Annie nods toward the wino at the table by the stove, her only customer.

            I take my glass and lay one of the fifties on the bar. “Use this to clear my tab.”

She picks the Euro up inspecting it suspiciously. “You play monopoly?”

            “It’s good . . . I promise. You can take it to the bank,” I tell her sliding off the stool, then walk across the room and take a chair at Hardway’s table where he’s staring down into a teacup full of whisky like expecting he might find some kind of message in it. Charlie’s Irish, used to prospect somewhere not too far from here. They say he found a vein of gold, nobody knows how big it was, or where it is. He doesn’t talk much. Pays his bills with dime-sized nuggets, Annie told me.

            He looks up at me with rheumy, glintless eyes.

            “You know this guy?” I shove the photograph in front of him.

            “Bought me a drink . . . I think. Name’s Bitchy. Got four arms, two of  ‘em silver, or might be aluminum,” he says. “Looks like some kinda Hindu idol. Asked me if I knew some broad named Maggot. Said I never heard of her. He didn’t stay long.”

            “That’s all he said?”

            “I think so, yeah. No, wait . . . he told me somethin’.”

            “What?”

            Hardway’s gone back to looking in his cup again. “I don’t remember

 . . . might have been a joke. A funny lookin’ guy . . . four arms . . . odd sense of humor.”

            I get up, kill my shot, and leave the empty glass on Annie’s bar on my way out. Big Beaver’s squinting at the Euro as I leave.

            It isn’t snowing anymore. A sickle moon’s illuminates a pair narrow wheel tracks, furrows in the frost capped snow that lead away from Dirty Dick’s. I follow them, but see nobody on the street except a couple of guys unloading produce for the local grocery store. I figure I should ask them—

            ZOOSH! An object whizzes past me, something white and bigger than a bullet glances off my left side, then explodes inside a truck of water melons.  Red pulp splatters everywhere. The lights go out. I’m hit. I shoulda watched my back. My leg  hurts . . . shrapnel? Maybe frozen watermelon rind.

*     *     *

            I can hear voices.

            “. . . and the Euro’s dropped again, gold up fifteen and oil hit eighty-five a barrel. Wall Street insiders say—”

            It’s television.

            I try hard to open up my eyes . . . not easy. Things are blurry . . . bright and whiter than a clansman’s sheet.  A woman’s looking down at me. She’s dressed in white. I might be dead. She starts to come in focus. I discern a red dot on her forehead and a nametag – Dr. Maya Sanjay.

            “You’re all right,” she says. “You’re probably going to be okay.”

            An optimist.

            “Do you know where you are?” she asks me.

            “Kissmi—”

            “Eagle’s RestHospital,” she interrupts. “You’re having a concussion and a broken leg, but you were lucky.

            “Really? How? I don’t remember.”

            “Medics told us you were maybe walking to your car. A Twiggy’s Ice-Cream truck came

up behind, and you got . . . how do you say it? . . . clipped. It’s wise to look behind you when you’re in the street. We’re going to put you in a wheelchair for a week, and after that you’ll be on crutches for some time. I recommend aluminum, they’re lighter, easier to use . . . just like another pair of arms.”

            “I’m freezing. Can I get another blanket?”

            Maya pulls a cell phone from her lab coat. “Nurse, could we be having one more blanket here? Room eighty-six.”

Published: Sein und Werden (UK) 2011

Bruce Louis Dodson writes fiction and poetry in Seattle, WA.
Most recent published poems are listed below.

Sein und Werden – UK – 2011 Pharmacopeia Issue
Breadline Press West Coast Poetry Anthology – 2011
Barely South Review – Spring 2011 Boundaries Issue
Blue Collar Review – Spring 2011

Contemporary Literature Review: India – January 2012
The Applicant February 2012
Foliate Oak – March 2012

Snow

May 2nd, 2012

 

Michelle Hartman

we made snow angels

pair after pair
across the meadow
until it appeared a giant ogre
stomped through in the night
laughing and frostbit
staggered home
shower, fireplace, hot chocolate

nothing reached the glacier within

then we made sheet angels
which melted under us
spreading heat turned
mountain snow
into torrential tides
cascading into valley below
while people in town
looked on in awe

Michelle Hartman has been published in Raleigh Review, San Pedro River Review, Pacific Review, Concho River Review, Main Street Rag Journal, Texas Poetry Calendar, Eclectica, Sojourn, Aries, descant, RiverSedge, Mirror Dance, Illya’s Honey and the anthologies, In Walt McDonald Country (San Pedro River Review Press), The Weight of Addition (Mutabilis Press), Big Land, Big Sky, Big Hair, (Dos Gatos Press) and Above Us Only Sky and Venom Kiss, both from Incarnate Muse Press. Overseas in The SHOp, Ireland, Blue Print Review, Germany, Five Poetry Journal, Australia and was a juried poet in the 2009 Houston Poetry Festival.

Besides the above publishing credits, she holds a BS in Political Science-Pre Law from Texas Wesleyan University and a Certificate in Paralegal Post Grad studies. Michelle is the editor for the online journal, Red River Review.

Her Pillow[less] Coffin

May 1st, 2012

 

A.J. Huffman

Her Pillow[less] Coffin
I lie across an expanse of sheets
in a room miles darker than where you dream
and pull my misery up to my chin.  The silence
is heavier here.  Consuming.  The knowledge of
your absence is a pill I reluctantly swallow.  (Twice
for good measure.)  You are my potion/poison/prince.
Primed to be the god of my demise.
But that tale is more tired than I am.
And would only sell if I was still unbroken.  Sadly, I am
an “as is” angel.  Slightly tarnished and tilted just so
from the sun.  But I remain
determined to brave the rays of your eyes
and their mind-bending batteries.  I banter
with the ghosts of feathers:  fallen and folded.
We both understand
the true definition of missing.  And it is
a bitter battle breathed in that moment just before
awake.

A.J. Huffman is a poet and freelance writer in Daytona Beach, Florida.  She has previously published three collections of poetry: The Difference Between Shadows and Stars, Carrying Yesterday, and Cognitive Distortion.  She has also published her work in national and international literary journals such as Avon Literary Intelligencer, Writer’s Gazette, and The Penwood Review.  Find more about A.J. Huffman, including additional information and links to her work at http://www.facebook.com/profile.php?id=100000191382454 and https://twitter.com/#!/poetess222.

Forgotten Land

April 26th, 2012

 

Ganesh Bdr. Ghimire

Forgotten Land


 

An elderly man firms himself on

swampy edge of freshly planted

paddy field to make his gene

erect in the Darwinian world.

About ten years old lad banks on two oxen,

alphabets on their nibble

and writes the fate of Jumlis

on the daytime sunlight.

With the hairless head

plunging into Tila River

a holy man endeavours

to hold Danphe lek.

Heavily loaded mule train

strides to feed Chotra children.

 

Note:

Jumlis: People living in Jumla, the remotest and underdeveloped part of Nepal

Tila River: Famous Holy River that’s flowing on the southern boundary of the Khalanga valley of Jumla

Danphe Lek: One of the toughest steep ridges of hills that comes on the way to Rara Lake

Chotra: The farthest village of the district where it’s very difficult to send any sorts of relief and supplies

 

 

Little Her


Lonely little guy

is faltering away

in hunt the quest.

 

A few roses which

befall on her lap

curved into cuff

 

that caresses her

yet to bloom sis.

 

Post Office: Sundhara

April 22nd, 2012

Post Office: Sundhara

 

Arun Budhathoki (Daniel Song)

 

I wouldn’t post it.

 

The compounds canker the caustic eyes,

Letters, parcels and words pile up

Like street vendors, pickpockets and amateur salesmen

 

I defy its appeal—the aroma of wealth

Spreading like hungry women and mad men

 

Street boys begging for a rupee

And the clothes, electronic goods

Demean your pretty heart, pretty face

 

I defy its appeal—the aroma of purchasing power

Spreading like corrupt officials and unjust politicians

 

This is where I live, my love,

And I would not certainly post it.

 

I rather say I love you in simple words

Then post my moribund maudlin city.

 

I wouldn’t post it.

 

 

And One Day

April 21st, 2012

Suv Pradhan is an invisible member of the journal and a regular attendee of Underground Poetry.

And one day, I’ll make you happy;

like you have always made me so.

And one day, I’ll make you share your secrets

like I have always done so.

And one day, I’ll take care of you

when you’re not feeling good.

And one day, I’ll pay your fares

Every time we travel.

And one day, I’ll cook your favourite dish

and all you have to do is eat.

And one day, I’ll take you to the places

I have always wanted to go.

And (most importantly) one day,

I’ll make you feel safe, as you do to me.

But still, I know I won’t be able to repay you

not even a bit.

 

This poem is for Suv’s mother. Happy Mother’s Day.

No, I can’t write a poem on spring

April 21st, 2012

Prashant Das is a staff writer.

 

If only I could lay my heart bare

And show you what joy it does bring

To behold the beauty so rare!

Oh! How do I write a poem on spring?

 

What makes the flowers move and sway

If it’s not the beauty of the spring?

And the butterflies flutter and fly away!

I’m sorry I can’t write a poem on spring.

 

The sun, warm again, smiles with glee,

The birds in their joyful youth sing.

If only I could explain this to thee!

But I am unable to write a poem on spring.

 

My heart arrested by such a beauty

Rises above desire and loathing*

And burns, burns with such intensity!

No, I can’t write a poem on spring.

 

*The feelings excited by improper art are kinetic, desire or loathing. Desire urges us to possess, to go to something; loathing urges us to abandon, to go from something. ….The esthetic emotion is therefore static. The mind is arrested and raised above desire and loathing.

–A Portrait of Artist as a Young Man by James Joyce

The Applicant

A Kathmandu-based Literary Journal